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  • WORK
    • Ear to ocean
    • CAMBER
    • Drift
    • Glint
    • Night Shapes
    • Tafoni Nutkana 2021
    • Cetus
    • Coral Bones Black Water 2020
    • Wash Up 2020
    • Mountain Water 2020
    • Pitch Dark 2019
    • Dark Light 2018
    • Ordinary Light 2017
    • Four Corners 2015
    • Four Corners, AHVA 2016
    • Pinna (bridge) 2017
    • Pinna 2015
    • Zephyr 2014 Light Ricochets 2014
    • Water study 2014
    • Haiku 2013
    • Other >
      • Drawings for light
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      • Seaweed study 2017
      • Gossamer 2014
      • Weavings 2014
      • Lift 2013
      • Halo Cobalt teal 2013
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o

6/13/2017

 
From an essay on Turner and Frankenthaler and from: abstractcritical.com/article/turner-and-frankenthaler/index.html 


"[W]ater ... the way it carries colour, extending its reach into the corners, lapping against the edges, the bleeding and flowing of pigmented washes, suggestive of form or simply evocative of place as felt experience. It seems entirely appropriate therefore, that the show be held looking out on the spectacular backdrop of the North Sea on its way to meet with the English Channel. The gallery has light flooding in to its spaces and that mesmeric tidal flow framed by massive windows – nature’s own watercolour."

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