EBONY ROSE
  • WORK
    • Camber
    • Cetus
    • Ear to ocean
    • Dark Light
    • Tafoni Nutkana
    • Ordinary Light
    • Pinna (bridge)
    • Four Corners
    • Four Corners, AHVA 2016
    • Zephyr / Light Ricochets
    • Haiku
    • Drift
    • Glint
    • Mountain Water
    • Pitch Dark
    • PAINTING >
      • Ashore
      • In and out and through
    • Drawings for light
    • Water study 2014
    • Other >
      • Halo Cobalt teal 2013
      • Coral Bones Black Water 2020
      • Wash Up 2020
      • Pinna 2015
      • Ins and Outs
      • Seaweed study 2017
      • Gossamer 2014
      • Weavings 2014
      • Lift 2013
  • About
  • WORK
    • Camber
    • Cetus
    • Ear to ocean
    • Dark Light
    • Tafoni Nutkana
    • Ordinary Light
    • Pinna (bridge)
    • Four Corners
    • Four Corners, AHVA 2016
    • Zephyr / Light Ricochets
    • Haiku
    • Drift
    • Glint
    • Mountain Water
    • Pitch Dark
    • PAINTING >
      • Ashore
      • In and out and through
    • Drawings for light
    • Water study 2014
    • Other >
      • Halo Cobalt teal 2013
      • Coral Bones Black Water 2020
      • Wash Up 2020
      • Pinna 2015
      • Ins and Outs
      • Seaweed study 2017
      • Gossamer 2014
      • Weavings 2014
      • Lift 2013
  • About
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Dark Light, 2018 
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​Multi-Room site-specific installation in the traditional Japanese Farmhouse of Yamakiwa Gallery, Kamiebiike, Niigata, Japan.
Components consist of Charred lotus roots  (a craft learned by elder in the village), folded shoji paper, ice, water and watercolour drawings.
Full project here >
Ebony Rose gratefully acknowledges the support of the Canada Council For the Arts
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© Ebony Rose​