EBONY ROSE
  • WORK
    • Ear to ocean
    • CAMBER
    • Drift
    • Glint
    • Night Shapes
    • Tafoni Nutkana 2021
    • Cetus
    • Coral Bones Black Water 2020
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    • Dark Light 2018
    • Ordinary Light 2017
    • Four Corners 2015
    • Four Corners, AHVA 2016
    • Pinna (bridge) 2017
    • Pinna 2015
    • Zephyr 2014 Light Ricochets 2014
    • Water study 2014
    • Haiku 2013
    • Other >
      • Drawings for light
      • Ins and Outs
      • Memory of trees 2019
      • Seaweed study 2017
      • Gossamer 2014
      • Weavings 2014
      • Lift 2013
      • Halo Cobalt teal 2013
  • About
  • WORK
    • Ear to ocean
    • CAMBER
    • Drift
    • Glint
    • Night Shapes
    • Tafoni Nutkana 2021
    • Cetus
    • Coral Bones Black Water 2020
    • Wash Up 2020
    • Mountain Water 2020
    • Pitch Dark 2019
    • Dark Light 2018
    • Ordinary Light 2017
    • Four Corners 2015
    • Four Corners, AHVA 2016
    • Pinna (bridge) 2017
    • Pinna 2015
    • Zephyr 2014 Light Ricochets 2014
    • Water study 2014
    • Haiku 2013
    • Other >
      • Drawings for light
      • Ins and Outs
      • Memory of trees 2019
      • Seaweed study 2017
      • Gossamer 2014
      • Weavings 2014
      • Lift 2013
      • Halo Cobalt teal 2013
  • About
Picture

Rose study (series of 28), 2018, 15.5" x 11. 5", Watercolour on Paper
​

This was part of a series of watercolour studies that I did during a residency in a small village in Japan. I was staying in a traditional farmhouse and outside of the shoji screens there was a rose bush to glean roses from.  I made numerous rose studies, seventeen of which to give to each of the households in the village. These drawings were part of a bigger project that also consisted of lotus imagery. I chose the rose as an offering and symbol of my home in the West and my gratitude to the villagers.
​Full project here 
© Ebony Rose​